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Growing up in the 90s, my animation taste was shaped by a mix of Western superhero cartoons and iconic Japanese anime. While The Legend of Vox Machina and Invincible, both produced by Titmouse, have become incredibly popular, I can’t help but feel that their animation style leans too heavily on the traditional Western look that reminds me of old WB cartoons. Although I love these shows, I believe they could benefit from adopting a more mature animation aesthetic, similar to what we’ve seen in anime like Ninja Scroll and Akira. Here’s why I think Titmouse could push their artistic boundaries further.
Growing up watching anime like Ninja Scroll, Akira, and Guyver, I became drawn to animation that felt mature, detailed, and visually complex. These Japanese animations featured intricate designs, fluid movement, and storytelling that went beyond what I was seeing in Western shows. The characters were drawn with extreme care, and each scene felt alive with a sense of realism and grit. This level of detail and maturity in anime set a high bar for my expectations of animation as a medium.
At the same time, I was also exposed to Western animated series like X-Men: The Animated Series, Spider-Man, and Batman: The Animated Series on WB. While I enjoyed these shows, especially for their superhero narratives, the animation style felt simpler and more geared towards younger audiences. Shows like Batman had a more blocky, minimalistic design, which, while effective in its own right, didn’t have the same depth or complexity as the anime I was consuming.
This is where I feel The Legend of Vox Machina and Invincible fall short. The art style that Titmouse uses—bold, clean lines and vibrant colors—feels too reminiscent of that old WB aesthetic, which, to me, feels overly simplified for the mature themes these shows often explore.
The Legend of Vox Machina is a fantastic show in terms of storytelling and character development, but the animation style feels too safe, falling into the familiar pattern of traditional Western animation. It’s vibrant, clean, and well-executed, but lacks the raw, mature edge that anime often brings to similar fantasy worlds. The bold lines and straightforward color palette, while appealing, don’t carry the same weight or grit that a more mature animation aesthetic could offer.
Titmouse, the animation studio behind both Vox Machina and Invincible, has a signature style that tends to lean toward a polished, traditional Western animation look. Their work is undoubtedly high-quality, but when it comes to shows like Vox Machina, which have the potential for a darker, more adult tone, the art feels mismatched with the themes.
Shows like Castlevania on Netflix are a perfect example of how Western animation can push beyond this “WB look” and adopt a more sophisticated, mature animation aesthetic that better fits intense and emotional storytelling. Castlevania combines elements of anime, with intricate designs, muted colors, and fluid action, resulting in a gritty, cinematic feel that would suit a show like Vox Machina perfectly.
Invincible takes a darker, more violent approach to superhero storytelling, but once again, its art style feels too clean and simplified for the gritty narrative it tells. The bold colors and sharp lines work for the comic book origins of the show, but they don’t quite match the intensity of the on-screen violence and emotional depth of the characters. Much like Vox Machina, Invincible could benefit from an aesthetic that feels more raw and intricate, pulling inspiration from anime to deliver a deeper visual experience.
While I have great respect for the work Titmouse has done on shows like Vox Machina and Invincible, I believe there’s room for them to experiment with more mature animation styles in the future. A series like Castlevania has shown that Western studios can adopt anime-inspired aesthetics to create visually compelling, mature storytelling. If Titmouse were to take this approach, it would allow them to elevate their already fantastic stories with a visual style that better matches the intensity and complexity of their narratives.
At the end of the day, I’m a huge fan of Titmouse and the shows they produce. The Legend of Vox Machina and Invincible are some of the best animated series out right now, and their success is well-deserved. But as someone who grew up with anime that pushed the boundaries of animation, I can’t help but wish that Titmouse would explore more mature aesthetics in their future projects. A grittier, more detailed style would not only enhance the visual storytelling but also resonate more deeply with audiences like me who crave something beyond the clean, safe lines of traditional Western animation.
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